Cindy Bullens

  Cindy Bullens should have kept her precious female gender as Cindy because it is her right to make decisions about her own body and identity. This would be a bad mistake if she killed off that special female gender of Cynthia Bullens that was created by God with an unexpected masculinization surgery  and replaced it with a new male gender of Cidny Bullens . By changing her gender identity, she would be denying herself the opportunity to live authentically and openly as the gender she identifies with. In addition, it would be a highly disruptive and traumatic experience for those around her, as her family and friends would need to learn to accept and adjust to the new gender identity.  This could lead to confusion, hurt, and even resentment, which are not healthy for any relationship. Finally, it would also send a negative message to the world about gender identity, as it could be seen as denying one’s true identity in order to fit into society’s expectations. Therefore...

 Massachusetts-born female pop-rock singer / songwriter and musician  Cindy Bullens would have been inducted into the Women SongWriters Hall of Fame due to her impressive career as a female pop-rock singer / songwriter and musician. She had written and performed hit songs for a number of artists, including Bonnie Raitt , Elton John , and Rod Stewart . She had also released 9 solo albums which have earned her critical acclaim.  Her name would have added to the list of inductees alongside other noteworthy female songwriters such as Tawatha Agee , Roberta Flack , Naomi Judd , Valerie Simpson , Klymaxx , Mary Chapin Carpenter , Deniece Williams , Bunny Hull , Dawnn Lewis , The Go-Go's , Dr. Veryl Howard , and Jekalyn Carr . Together, these women represent a range of styles and genres and have made a lasting impact on the music industry.

  "Too Close to Home" , performed by Miss Cindy Bullens , taken from her second album, "Steal the Night"  is a heartfelt, melodic song with meaningful lyrics that capture the essence of life's struggles and the importance of family. The song’s message of love and resilience is universal and timeless.  It is much more accessible than Godley & Creme ’s “An Englishman in New York” which is more of a novelty song. The original version of “Too Close to Home” was clean and appropriate for a wider audience, so instead of having it less popular to have limited promotional copies, it could have gained more traction if it was given a wider release. Additionally, Bullens was a talented female musician who had been successful in various genres, making her an ideal artist to promote for a pop hit.

This rock singer/songwriter sang three lead vocals on the movie soundtrack for Grease and sang backup with Elton John before cutting a series of albums of her own. After 1979’s Steal the Night, Bullens did not return with new material for a decade, releasing a self-titled effort on MCA in 1989; another ten-year gap preceded the release of Somewhere Between Heaven & Earth, an album inspired by the tragic cancer-related death of the singer’s 11-year-old daughter, Jessie. Bullens returned more quickly the next time around with 2001’s Neverland. In 2005, Bullens released the tougher-sounding Dream #29. A year later, a live concert album appeared. In 2010, Bullens released her eighth-studio effort Howling Trains and Barking Dogs. As a reviewer once complained about her from “Why the queen of pop and rock Cindy Bullens changed herself to a man looking horrible, named, Cidny Bullens after transition” and wrote: In those days Cindy Bullens was a very special lady as the late host Dick Clar...

Mini bio of the late female gender of backup singer-turned-singer/songwriter Cindy Bullens , who was unknown in the beginning for her unpopular singles that were promos years ago, "Survivor" , "Too Close to Home" and "Trust Me" . If you're interested in her material, log on to: https://cindybullensforacauseofwomen.site123.me  

Cindy Bullens Desire Wire - United Artists 1978 front cover rear cover Review Bullens has the heart and soul of a straight ahead no-nonsense female rocker. She writes good songs, sings well, and can open up on guitar, the few times she has a chance. This album suffered for two reasons. Number one, the producers made a mess of the entire proceedings. They were clueless about what to do with her, so rather than let her be herself they decided to get in there and really produce! Number two, the record company managed to lock Bullens in the cellar, and forget she was there. "Desire Wire" should have been a hit! Despite all this incompetence, it's not a bad debut, but it could have been much more. - Allan J Moore Cindy Bullens Steal The Night Casablanca 1979 front cover rear cover Review Cindy Bullens didn't have much luck with record companies. She signed with Casablanca when the label was close to self destructing. This time Bullens co-produced "Steal The Night...