Cindy Bullens

Mini bio of the late female gender of backup singer-turned-singer/songwriter Cindy Bullens , who was unknown in the beginning for her unpopular singles that were promos years ago, "Survivor" , "Too Close to Home" and "Trust Me" . If you're interested in her material, log on to: https://cindybullensforacauseofwomen.site123.me  

Cindy Bullens Desire Wire - United Artists 1978 front cover rear cover Review Bullens has the heart and soul of a straight ahead no-nonsense female rocker. She writes good songs, sings well, and can open up on guitar, the few times she has a chance. This album suffered for two reasons. Number one, the producers made a mess of the entire proceedings. They were clueless about what to do with her, so rather than let her be herself they decided to get in there and really produce! Number two, the record company managed to lock Bullens in the cellar, and forget she was there. "Desire Wire" should have been a hit! Despite all this incompetence, it's not a bad debut, but it could have been much more. - Allan J Moore Cindy Bullens Steal The Night Casablanca 1979 front cover rear cover Review Cindy Bullens didn't have much luck with record companies. She signed with Casablanca when the label was close to self destructing. This time Bullens co-produced "Steal The Night...

Bitrate: 128K/s Year: 1979 Time: 36:31 Size: 33,8 MB Label: Casablanca Styles: Rock Art: Full Tracks Listing: 1. Full Tilt Rocker - 4:00 2. Real To Real - 2:13 3. Trust Me - 3:58 4. Hurry Up Forever - 3:14 5. Steal The Night Away - 4:43 6. Too Close To Home - 4:31 7. Powerless - 3:06 8. Raincheck On Romance - 4:36 9. Two-Track Mind - 2:36 10. Holding Me Crazy - 3:30 Cindy Bullens exhibited an unfortunate talent for hooking up with record companies that were on the way out, starting with United Artists and continuing with the classic '70s boom-and-bust label, Casablanca, a year later. Which is to say that Bullens's second album, Steal the Night, got lost at the end of 1979. Though not quite as impressive as her debut, it was another record full of high-energy guitar-based pop-rock, some of which, given the time of release, could have passed for new wave or power-pop; however, Bullens was a mainstream rocker at heart, and her main points of reference were the early-'60s girl ...